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    Photo: Courtesy of the Institute of Vertebrate Paleontology and PaleoanthropologyArchaeologists have unearthed a collection of plant-wrapped bundles dating back about 2,200 years that closely resemble modern-day zongzi, the glutinous rice dumplings traditionally eaten during China's Dragon Boat Festival, according to a report by the Institute of Vertebrate Paleontology and Paleoanthropology (IVPP) under the Chinese Academy of Sciences (CAS). This study was published in the National Science Review.
In March 2024, archaeologists from the National Center for Archaeology excavated a large number of well-preserved, waterlogged plant bundles from the tomb's outer coffin chamber. On-site, the plant bundles could be seen tightly wrapped in broad leaves and tied with plant-fiber cords.
A team of researchers led by the National Center for Archaeology, IVPP, and the Chinese Academy of Social Sciences examined 12 of the bundles and found that the wrapping leaves came from oak trees, while the cords were made from grasses. 
The bundles mainly contained rice, broomcorn millet, foxtail millet, and cereal seeds, most of which were still in their husks and mixed with inflorescence material. Small amounts of peppercorn, mallow and rice-field weed seeds were also found.
The fact that the bundles were found in a tomb and mainly contained grains still in their husks suggests they were not everyday food, but offerings intended for funerary rituals. "This might reflect a Warring States-era belief that grains served as wealth for the dead in the underworld," Ge Yong, an associate researcher at the IVPP and the study's corresponding author, told the Global Times.
A Qin Dynasty (221BC-206BC) text describes a belief that "soybeans were gold and millet was money" for the dead, indicating that grains held symbolic significance in funerary culture. "The bundles therefore appear to have been ritual offerings prepared for the deceased," Ge said, "not food for the living."
The physical structure of the bundles also resembles that of zongzi, with grains wrapped in leaves and tightly secured with plant-fiber cords. "Similar practices of wrapping grains for burial have also been found elsewhere within the Chu cultural sphere," Ge said, "such as at the Chengyangcheng Site." 
At the Chengyangcheng archaeological site in Henan Province, rice and broomcorn millet were also discovered wrapped in oak leaves. "An interesting fact is that we can still find zongzi wrapped with the same oak leaves now in regions related to the Chu cultural sphere."
"The findings suggest that wrapping grains as funerary offerings was a relatively common practice in the Chu state during the Warring States period," Ge said. "And this practice may have been an early form of the zongzi later associated with the legend of Qu Yuan."
These plant bundles share a structure similar to that of modern zongzi and to those described in legends and folklore. This might reflect how, through cultural exchange and heritage, these 2,200-year-old plant bundles likely evolved over centuries, shifting from sacrificial offerings to food, said Ge.
As diverse regional populations adapted the practice, it eventually transformed into the well-known Dragon Boat Festival tradition of eating zongzi. Thus, this structural resemblance might suggest a potential historical lineage; however, experts stressed that the Wuwangdun bundles should not simply be labelled as ancient zongzi.
"We can't define these plant bundles as the earliest zongzi, but rather, we can confirm that by 2,200 years ago at the latest, the Chu region had established a tradition of using this specific form of plant bundles for funeral rites. And this tradition could be a possible origin or precursor of the well-known zongzi," said Ge. 
He added that the discovery provides critical physical evidence to explore the origins of zongzi and its cultural heritage.
。    Allu Arjun’s film AA22XA6, directed by Atlee, has been one of the hottest projects in the film industry. Given the project’s scale, canvass, plotline, cast and massive budget, the sci-fi thriller is tipped to be one of the most-anticipated films. Atlee has been shooting the film for over four months in a specially designed 3D studio set equipped with cutting-edge Hollywood-grade technology, in Mumbai. While many filmy fans wonder with this move of Atlee since this is against the conventional practice of shooting, here’s another interesting surprise.               Lavish underwater sequence     According to the buzz, Allu Arjun is set to commence shooting for an underwater sequence for AA22XA6. The sequence is being shot at a studio in Mumbai, and will be a first-of-its-kind in Indian cinema. According to unit sources, a dedicated team from Hollywood has flown into Mumbai to choreograph, monitor and execute the entire block. Director Altee has reportedly envisioned the underwater sequence distinctly and is betting big on Allu Arjun’s performance. The actor too took training recently to get a hang of the nuances of the underwater episode. “The sequence is said to be one the highpoints of the film; it shows Allu Arjun in a fierce and intense look. How Atlee imagined the action block to be, and the task of executing it has been entrusted to a Hollywood technical team,” informs a source in the know.               AA22XA6 in 2 parts?     After the Pushpa series turned out to be highly successful, Allu Arjun seems to be fascinated with the idea of ‘franchise’ model. According to sources from the unit, Allu Arjun and Atlee are pondering over the idea of making AA22XA6 into two parts. So far, over 60 per cent of the film has been wrapped up, and the remaining portion would be completed by summer. The idea is to build craze for the film, and also to generate more revenue considering the film’s massive budget. Will they make the film in 2 parts? A better picture will emerge soon.     Also Read: Mrunal Thakur Shoots Action Scene for Allu Arjun’s Film。

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