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LG首席执行官：不会退出智能手机业务_我的网站

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    The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema. 
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions. 
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema. 
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted. 
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。LG电子首席执行官Jo Seong Jin周四表示，公司将继续保留其亏损的智能手机业务，因为这对公司的物联网生态系统非常重要。”他在一次CES新闻发布会上表示：“LG的业务组合包括汽车和家电行业，所有这些行业都与智能手机相关，因此我们不会考虑退出智能手机业务。”随着网络设备的兴起，物联网技术在许多行业中的应用越来越广泛。专家表示，智能手机将在控制网络设备方面发挥关键作用。赵超补充说，LG一直在重组其智能手机业务，并将在2020年完成。”今年是我们试图重组智能手机业务的第二年，这些举措将持续到明年。

二 | 这并不意味着我们要解雇工人。

三 | 我们正在努力与消费者建立信任，并在新的形势下做出改变。

四 | LG的智能手机业务一直在苦苦挣扎。研究公司Strategy Analytics的数据显示，2018年第三季度，LG在全球智能手机市场的份额仅为1.9%。经营智能手机业务的LG移动通信多年来一直亏损。该行业在2016年亏损125万亿韩元（11亿美元），在2017年亏损7210亿韩元。证券公司预计，该行业将在2018年第四季度连续第十五个季度亏损。LG预计其去年10-12月季度的营业利润将达到753亿韩元（6703万美元），这是自2016年第四季度以来的最低水平，因为手机业务的下滑。谈到第四季度业绩不佳，曹国伟表示，公司“在黑色星期五和圣诞节期间花了太多钱在促销活动上。”LG一直在扩大其机器人业务，作为公司未来的增长引擎。赵先生说，这家公司可能在两年内接近收支平衡。”我们将机器人业务分为五类：家庭生活，如吸尘器和教育机器人；可用于机场等公共场所的公共机器人；工业机器人；残疾人可穿戴外骨骼机器人；娱乐用机器人。

五 | “由于业务尚处于起步阶段，现在谈论还为时过早。”关于盈利能力，但预计将在两年内达到盈亏平衡点，”他说。曹国伟补充说，该公司于2018年推出的割草机机器人将很快上市。”这款机器人将于今年上市，我们将在昆池堰高尔夫球场和美国进行测试。”在正在进行的CES展览上，LG的可滚动OLED电视赢得了技术爱好者和行业高管的广泛赞誉。电视显示屏非常灵活轻便，可以像纸一样卷起来存放。赵胜进说，这台名为签名OLEDTV R的电视，可能是此次科技盛会上最具创新性的产品。”我没有时间去参观CES，因为我有很多商务会议要参加。但现场的人说，没有什么比我们的卷发电视更具创新性了，”他说。

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Published on:02:11:20